Svend Bayer

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Post by NaomiM on November 12th 2018, 8:12 pm

Mug from the Kigbeare Kiln 2018

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Post by barbis2012 on November 23rd 2018, 12:01 pm

As far as unmarked pieces go they can be a challenge! I prefer to buy such pieces direct from potter and then take a photo of it in situ in order to build the provenance. My last unsigned purchase was a couple years ago which I bought from Chuck Schawrtz at the Gnarly Dudes Exhibition in Devon with Svend Bayer, Nic Coliins etc
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Post by NaomiM on December 5th 2018, 1:34 am

That’s a very good idea; I must remember that, especially with Svend’s pots.
I bought a collection of unmarked pots from a dealer who’d got them as a job lot at auction and had no idea what they were. Turns out they were by Chuck Schwartz. I was very lucky that his wife Sue recognized them and identified them for me.


Last edited by NaomiM on April 3rd 2020, 7:35 pm; edited 1 time in total

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Post by NaomiM on December 5th 2018, 1:36 am

Lovely hare’s fur glazed bowl by Svend Bayer from his Kigbeare kiln via Hatfield Art In Clay

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Post by 22 Crawford St. on December 12th 2018, 8:06 pm

Love that,,,, especially the contrast near your thumb of the rough groggy clay and the greenbalck gloopy edge... Most Excellent
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Post by philpot on December 14th 2018, 7:30 am

We should have a separate thread on the Kigbeare Kiln. Lisa Hammond, Svend Bayer. Who else does one associate with using it. Are there any particular style elements to this kiln?
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Post by dantheman on December 14th 2018, 8:57 am

anyone can start a new thread Phil, I have started threads that have thousands of hits even though 99% of the content was posted by me

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Post by NaomiM on December 14th 2018, 10:37 am

I think potters using the kigbeare kiln are adding their personal marks to the kiln mark so it doesn’t need its own thread; pots from it would be under each potters personal threads. Svend added his mark to the bottles because they were part of a Crowdfunding campaign to get the kiln built in the first place. I assume the mug doesn’t have his mark simply because he doesn’t usually mark his pieces. It was off his stand in Oxford and sold as his work. Just checked the Kigbeare Kiln website and potters are firing their own styles of pottery at the kiln. Lisa Hammond is at the Clay College in Stoke; the apprentices there have their own stamps.

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Post by studio-pots on December 14th 2018, 9:57 pm

I have a bowl that Svend fired in a kiln while he was in Australia and it has a stamp because...……….. as he stated, it was so that everyone knew which pots were theirs. In essence, I agree with Naomi.

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