Studio pottery bowl, unknown maker, possibly Scandinavian.

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Studio pottery bowl, unknown maker, possibly Scandinavian. Empty Studio pottery bowl, unknown maker, possibly Scandinavian.

Post by Guest November 2nd 2017, 2:24 pm

Hi folks, trying this in another category with the hope that someone may recognise the incised mark, which reads AJA.
It may not be Scandinavian, though a few people that have viewed it believe that it might be.Studio pottery bowl, unknown maker, possibly Scandinavian. Dsc05122
Studio pottery bowl, unknown maker, possibly Scandinavian. Dsc05123
Studio pottery bowl, unknown maker, possibly Scandinavian. Dsc05125
Studio pottery bowl, unknown maker, possibly Scandinavian. Dsc05124

Many thanks, John.
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Post by olipayton November 2nd 2017, 5:21 pm

Nice item there was a John Anderson who worked with Hoganas Keramic - the signature looks the sameish as on this link

https://pin.it/bB0k3h7
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Studio pottery bowl, unknown maker, possibly Scandinavian. Empty Re: Studio pottery bowl, unknown maker, possibly Scandinavian.

Post by Guest November 3rd 2017, 9:32 am

Thank you Oli, I'll have a dig in this direction and will see if anything emerges.
Much appreciated.
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Post by NaomiM November 3rd 2017, 9:40 am

Can't help with the mark, but it's a beautiful bowl.

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Post by Guest November 3rd 2017, 9:52 am

Isn't it just Naomi, certainly a keeper this one :happy2
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Post by dantheman November 3rd 2017, 10:04 am

even the underside is lovely, it looks like reduction firing

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Post by Guest November 3rd 2017, 10:22 am

Excuse my ignorance Dan, but what does reduction firing mean? Is it as obvious as the temperature being lowered towards the end of the process?
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Post by dantheman November 3rd 2017, 12:08 pm

not temperature but oxygen supply which tends to give that metallic shine and vibrant colours.
I think the oxygen is actually pulled out of the clay body of the pot to feed the flame.
Raku also uses reduction but immediately after firing while the pot is still red hot.

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Post by Guest November 3rd 2017, 2:36 pm

Thank you Dan, that is much appreciated.
The underside is quite coarse in places and the glaze is somewhat thin where it has taken; a little Raku esque in the places it hasn't taken so well.
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Post by dantheman November 3rd 2017, 3:17 pm

the best way to learn about all that is to attend a big pottery fair and talk to the potters .there you can see and feel the difference between all the potting techniques.
I have often turned up an hour before the punters so I can talk without buyers interrupting

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Post by Guest November 3rd 2017, 3:20 pm

Great advice and something I hope to do at some point.
Thank's again Dan.
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