Poole Pottery 1960-1980 Part Two

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Post by gareth-h September 9th 2016, 9:53 pm

This one's had me intrigued for a few days. Thing is, it is rather unusual for Aegean in that it is multi-coloured and rather nicely and elaborately decorated. This indicates an early piece (1970 - 74) as once Poole introduced the Ionian range in 1974 Aegean was restricted to less decorative (and cheaper) finishes.

Which brings us to the mark. It does not look much like Karen Ryall's mark and she was not at Poole pre-1974 in any case. There is no other recorded mark that looks anything like this though.

However, there is a list of known unknowns ("They also made their mark", Collectors Club Magazine Summer 1997). One of these is Helen Robinson from 1973, although she is listed as a Delphis paintress. Nevertheless she has the right initials and was there at the right time.

So although I cannot be certain I think there is a good chance this is her mark. If anyone finds another one let me know!


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Post by dantheman September 12th 2016, 8:55 am

Poole Pottery 1960-1980 Part Two - Page 12 1635ls10

Poole pottery kept records of their glaze trials over the many decades,here's a pic showing one of their many journals

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Post by ppcollectables September 28th 2016, 3:30 pm

Did anyone else spot the auction lot of 3 x studio vases in the Lacy Scott and Knight general sale. 2 x shape 25's and a shape 27. I asked for a condition report and a couple of hrs later they were withdrawn. One has to ask what a lot worth £1500+ was doing in a general sale in the first place.
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Post by dantheman September 28th 2016, 3:46 pm

I also valued them at over £1500 and planned to attend the auction

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Post by ppcollectables September 28th 2016, 5:19 pm

I've just had a reply from LSK which said they will be entered into a 20th cent design sale but their email stated that next such sale was March 2017. If I was the seller I'd go elsewhere. I guess they'll re-surface somewhere. The point to all this is 'that there is still stuff out there'.
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Post by dantheman September 28th 2016, 5:47 pm

and always use an appropriate auctioneer when selling valuable goods

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Post by Mordeep September 28th 2016, 5:53 pm

I too spotted those vases. I think they got tipped off by the interest they had in them. No one asks for condition reports on your average general sale ceramics unless they have spotted something worth the effort. When the auctioneers get tipped off with a few condition reports like that they often amend or withdraw the lot. If it was a small error they would have let it slide a big one I doubt they would It's why I inspect in person or skip.  An example if that is this lot that sold yesterday.

https://www.the-saleroom.com/en-gb/auction-catalogues/chiswick-auctions/catalogue-id-srchis10277/lot-abf8fce5-6055-4b9e-8abe-a68a00bc1ee9

Went for over twice the estimate.  

I bid £120 and didn't get it. The elephant is damaged, the small carter covered bowl is stained and missing the top. The big flower bowl badly crackled and stained. The lovely bowl with the deer sounds awful when tapped, crunchy like a loose egg shell. It's a hairline city item but a great image for display. The only undamaged item is the brown carter vase and it is a depressing colour. I hope the winning bidder has a good restorer and chucks them all on eBay as I want the deer bowl. I suspect they will be disappointed though.
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Post by l33ham180 September 30th 2016, 5:42 pm

not sure if anybody had a reply about the condition of those 3 vases but i had a reply from my mate who works there and he said they had a few small chips .
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Post by l33ham180 September 30th 2016, 5:46 pm

Poole Pottery 1960-1980 Part Two - Page 12 P1010012
Poole Pottery 1960-1980 Part Two - Page 12 P1010013
Poole Pottery 1960-1980 Part Two - Page 12 P1010011
Poole Pottery 1960-1980 Part Two - Page 12 P1010010


sorry about the size of them . had this turn up today . unsigned but in perfect condition
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Post by dantheman September 30th 2016, 5:59 pm

I like the colourway

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Post by ppcollectables October 2nd 2016, 6:04 pm

I saw the spear and was surprised no one seemed to be bidding on it.
As to the Chiswick lot, it looked good but pieces of that age need looking at in person and I couldn't be bothered to go to Chiswick and bid.
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Post by mandrake1000 October 2nd 2016, 8:33 pm

dantheman wrote:I like the colourway

agreed ... Happy
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Post by cycladelic October 3rd 2016, 7:15 am

Nice Spear!

This blue-mark dish has similar glazes...

Poole Pottery 1960-1980 Part Two - Page 12 A_pool10
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Post by NaomiM October 13th 2016, 9:40 pm

Couple of Poole pedestal bowls, shape no. 38


Poole Pottery 1960-1980 Part Two - Page 12 Poole610

Poole Pottery 1960-1980 Part Two - Page 12 Poole110

Poole Pottery 1960-1980 Part Two - Page 12 Poole310 Poole Pottery 1960-1980 Part Two - Page 12 Poole410 Poole Pottery 1960-1980 Part Two - Page 12 Poole510 Poole Pottery 1960-1980 Part Two - Page 12 Poole210

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Post by truk10 November 19th 2016, 12:02 am

Something a bit unusual

A one-off studio vase signed by both Guy Sydenham and Tony Morris. It stands about 9 inches high and has the script studio mark on the base.

Poole Pottery 1960-1980 Part Two - Page 12 N9Qkk4
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Post by truk10 November 19th 2016, 12:05 am

Hmmm ... that didn't work so well

Poole Pottery 1960-1980 Part Two - Page 12 Origin10
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Post by dantheman November 19th 2016, 9:41 am

a nice shape but rather dark

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Post by truk10 November 29th 2016, 12:07 am

Hmmm

OK, how about his one Dan ?

Still dark but with some white lines. It's a Guy Sydenham Studio Atlantis piece.

Poole Pottery 1960-1980 Part Two - Page 12 Dsc_0112
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Post by mandrake1000 November 29th 2016, 12:34 am

Very impressive kurt ...
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Post by dantheman November 29th 2016, 10:43 am

not bad

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Post by NaomiM December 4th 2016, 3:06 am

Found my first spear dish today.

Poole Pottery 1960-1980 Part Two - Page 12 Img_2211


Poole Pottery 1960-1980 Part Two - Page 12 Img_2212 Poole Pottery 1960-1980 Part Two - Page 12 Img_2210


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Post by dantheman December 4th 2016, 9:26 am

the glazes have fired nicely Excellent a good find

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Post by NaomiM December 4th 2016, 1:27 pm

Cheers. Happy I dithered a little because of the lack of a monogram, but in the end it was the blue that sold it for me.

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Post by dantheman December 4th 2016, 3:19 pm

Delphis monograms are not that important if the stamp isn't blue or studio but the glaze is always important

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Post by NaomiM December 4th 2016, 4:59 pm

Most Excellent

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