Ruthanne Tudball

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plain porcelain

Post by dantheman on April 17th 2013, 2:13 pm



an early piece with the seashell mark and high gloss soda glaze on Limoges porcelain...probably made around 2000


Last edited by dantheman on April 17th 2013, 4:38 pm; edited 2 times in total

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Re: Ruthanne Tudball

Post by NaomiM on May 8th 2013, 9:32 pm




Found this at a gallery yesterday. Half price, but chipped & filled spout, and a bit big, so passed on it.

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Re: Ruthanne Tudball

Post by dantheman on June 4th 2013, 9:37 pm






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Ruthanne Tudball mustard pot

Post by dantheman on May 9th 2014, 12:01 pm


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Ruthanne Tudball mustard pot

Post by dantheman on May 9th 2014, 12:02 pm

a small but perfectly formed mustard pot, 8cm tall














Last edited by dantheman on June 18th 2016, 12:47 pm; edited 2 times in total

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Re: Ruthanne Tudball

Post by big ed on May 26th 2014, 4:56 pm


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Re: Ruthanne Tudball

Post by big ed on May 26th 2014, 4:58 pm



small dish just under 5" corner to corner

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Re: Ruthanne Tudball

Post by NaomiM on October 26th 2014, 1:49 am


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Re: Ruthanne Tudball

Post by big ed on March 14th 2015, 2:59 pm


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Re: Ruthanne Tudball

Post by big ed on March 14th 2015, 4:26 pm



very sexy shape

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ginger jar - Ruthanne Tudball

Post by bistoboy on March 17th 2015, 6:09 pm









not sure about this piece - i'm assuming it's British studio pottery, but the form and glaze look Asian?  Is it a kind of saltglaze perhaps?  Anyhoo, i don't recognise the potters mark either and it has a flower on the underside of the lid and inside the jar at the bottom.  Any help you can give or direct me to would be much appreciated. Ta.
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Re: Ruthanne Tudball

Post by NaomiM on March 17th 2015, 7:01 pm

Indubitably Ruthanne Tudball. You can't mistake that dancing style of hers.

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Re: Ruthanne Tudball

Post by big ed on March 17th 2015, 7:58 pm

Nice one Bisto , that mark indicates a date between 1987-2002 , soda glazed , she is very collectable at the moment .

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Re: Ruthanne Tudball

Post by NaomiM on May 18th 2015, 1:37 pm

Ruthanne Tudball teapot.

Ruthanne wrote:
My god! that's at least 25 years old!






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Re: Ruthanne Tudball

Post by dantheman on May 18th 2015, 2:00 pm

it shows how Ruthanne has progressed as a potter in that time.
Spookily I was moving the teapot that I own when you were posting your pics

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Re: Ruthanne Tudball

Post by dantheman on May 18th 2015, 2:03 pm

Ruthanne will be standing at Rufford next month

http://www.nottinghamshire.gov.uk/enjoying/artsandculture/arts/earth-and-fire/


Last edited by dantheman on March 31st 2016, 4:59 pm; edited 1 time in total

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Re: Ruthanne Tudball

Post by NaomiM on May 18th 2015, 5:46 pm

dantheman wrote:it shows how Ruthanne has progressed as a potter in that time.....


Indeed. She added that it was even older because she was "still making spouts the "normal" way",
But, even then, it had the beginnings of the twist to the clay that became her trademark.

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Re: Ruthanne Tudball

Post by dantheman on June 20th 2015, 3:12 pm



This is Ruthannes original stamp used in the 1980's

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RUFFORD EARTH & FIRE 2015

Post by dantheman on June 29th 2015, 2:05 pm

         

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Re: Ruthanne Tudball

Post by NaomiM on June 29th 2015, 4:30 pm

Apparently those wall plates are also similarly decorated on the reverse.

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Re: Ruthanne Tudball

Post by dantheman on July 19th 2015, 12:13 am

All of my work is thrown, manipulated and assembled while freshly thrown on the wheel in an attempt to capture the soft organic quality of the clay and preserve that softness in the finished piece. Soda vapour glazing in a wood/gas-fired kiln emphasises the marks and rhythms of making. Nothing is hidden.

Manipulating soft clay on a revolving wheel and feeling the material respond to the merest touch is like setting out on an exciting journey for me.  The dialogue which goes on between the potter and the clay is carried on through the use of the pots.  You pour, eat, store, serve and drink from them, and sometimes you simply contemplate them.  I am inspired by the evolving landscape, the rhythms and creative forces of the earth and by the dance of the human body, all of which keep me thinking about the life in a pot made of clay.

We are inherently defined by what we do and what we potters do with clay identifies who we are.  I see my work as a potter as a way of life that celebrates the beauty of the world around me.

Born  1945 California, USA

Education
1987-89  Post Graduate Diploma in Ceramics, Goldsmiths’ College, London
1971-74  BA (Hons) English, Further Education Teaching Certificate

Awards
2008  Arts Council Grant to travel to China and attend the IAC conference
2007  Arts Council Grant to travel to S. Korea to work and demonstrate

Solo exhibitions
2009  Lantic Gallery, Tiverton, Devon
Centre de Creation de La Borne, France
Grapevine at Burnham Market, Norfolk, UK
2007  Grapevine Gallery, Norwich, Norfolk
2006  Bettles Galelry, Ringwood, Hampshire
2005  Contemporary Ceramics, London

Selected recent exhibitions
2010  Oxford Ceramics Gallery May Exhibition and NewWorks.  
Contemporary Applied Art, Solo Focus Exhibition. July
“Teapots”, Makers Guild in Wales, at Craft in the Bay
“The Art of Ceramic Decoration”, Keramickcentrum Tiendschuur, NL
2009  “Cup”, Devon Guild of Craftsmen, Devon, UK
“Salt of the Earth”, Salthouse 09, North Norfolk Exhibition Project,UK
2008  ‘Afresh’, Gallery Top, Derbyshire
‘Celebrating Salt and Soda’, Octagon Gallery, Whichford
‘Salt and Soda and Penland’, Rye Gallery, New York, USA
2006  Alpha House Gallery, Sherborne, Derbyshire
‘A Pinch of Salt’, Scottish Gallery, Edinburgh
2005  ‘Krug oder Kanne’, Galerie Handwerk, Munich, Germany
2004  Third International Ceramics Biennial, Brasschaat, Belgium

Collections
Ashmolean Museum, Oxford
Ceramics Collection, University of Wales, Aberstwyth
Adolf Egner Collection, Germany
Yingge County Ceramics Museum, Taipei, Taiwan

Selected publications
2009  Contemporary Ceramics, A Global Survey .Emmanuel Cooper.  
The Art of Ceramic Decoration, Artists Share their Secrets, Mels Boom, Uitgever Publisher, Netherlands
2004  ‘Making Marks. Discovering the Ceramic Surface’, by Robin Hopper

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what's the difference between ignorance and ambivalence?

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"Modern Art" is produced by incompetents, sold by charlatans and bought by ignoramuses?

It is enlightening to juxtapose "Fine Art" to "Modern Art"
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Re: Ruthanne Tudball

Post by dantheman on December 19th 2015, 10:33 am

Here are a couple of early lidded pots,the larger is another good example of the progress Ruthanne has made in refining her pots whilst retaining the rugged,natural features which remind her of the rocky,mountainous area of her youth.

servimg not available

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Saltglazed mug

Post by denbydump on July 13th 2016, 12:53 pm

Slightly crude wonky construction and firing.
Looks like an "H" with 2 ticks on the top.
Nearest in the book is Treston Holmes, but there's nothing on his website like this.





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Re: Ruthanne Tudball

Post by Potty on July 13th 2016, 2:41 pm

Ruthanne Tudball

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Re: Ruthanne Tudball

Post by denbydump on July 13th 2016, 2:53 pm

Thanks potty, not had a piece before so it was unfamiliar.
This mark in the book is shown in a square.

And must be Soda, rather than salt-glaze.
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Re: Ruthanne Tudball

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